Born in Worcester on the 29 August, 1953, the third born of six children and the daughter of Ann and Jacobus Ferrus. Diana completed her BA degree with Industrial Psychology and Sociology as majors in 1993. She started BA Honours (Women’s and Gender Studies) in 1997 and completed in 1999. Currently completing Masters in Women’s … Continued
Born in Worcester on the 29 August, 1953, the third born of six children and the daughter of Ann and Jacobus Ferrus. Diana completed her BA degree with Industrial Psychology and Sociology as majors in 1993. She started BA Honours (Women’s and Gender Studies) in 1997 and completed in 1999. Currently completing Masters in Women’s and Gender Studies. Thesis topic: “Black Afrikaans women writers: the joy and frustration of the writing process.” Diana belongs to a women’s writers group called WEAVE (Women’s Education & Artistic Voice Expression) and in 2002 their book ink@boilingpoint was published. Her short story, “Sarah will be home, a story of restoration” and her poem, “I’ve come to take you home”, a tribute to Sarah Baartman is included. Diana Ferrus writes in both English and Afrikaans. She is also a founder member of “Bush Poets”, an all women poet group from the University of the Western Cape. “Bush” was the derogatory name given to the institution in the early sixties. Diana proudly adds: “We coined the term!”
I’ve come to take you home*
I’ve come to take you home – home, remember the veld? the lush green grass beneath the big oak trees the air is cool there and the sun does not burn. I have made your bed at the foot of the hill, your blankets are covered in buchu and mint, the proteas stand in yellow and white and the water in the stream chuckle sing-songs as it hobbles along over little stones.
I have come to wretch you away – away from the poking eyes of the man-made monster who lives in the dark with his clutches of imperialism who dissects your body bit by bit who likens your soul to that of Satan and declares himself the ultimate god!
I have come to soothe your heavy heart I offer my bosom to your weary soul I will cover your face with the palms of my hands I will run my lips over lines in your neck I will feast my eyes on the beauty of you and I will sing for you for I have come to bring you peace.
I have come to take you home where the ancient mountains shout your name. I have made your bed at the foot of the hill, your blankets are covered in buchu and mint, the proteas stand in yellow and white – I have come to take you home where I will sing for you for you have brought me peace.
12 August 2002
Sarah Baartman, displayed as a freak because of her unusual physical features, has finally been laid to rest, 187 years after she left Cape Town for London. Her remains were buried on Women’s Day, 9 August 2002, in the area of her birth, the Gamtoos River Valley in the Eastern Cape. Baartman was born in 1789. She was working as a slave in Cape Town when she was “discovered” by British ship’s doctor William Dunlop, who persuaded her to travel with him to England. We’ll never know what she had in mind when she stepped on board, of her own free will, a ship for London.
But it’s clear what Dunlop had in mind, to display her as a “freak”, a “scientific curiosity”, and make money from these shows, some of which he promised to give to her. Baartman had unusually large buttocks and genitals, and in the early 1800s Europeans were arrogantly obsessed with their own superiority, and with proving that others, particularly blacks, were inferior and oversexed. Baartman’s physical characteristics, not unusual for Khoisan women, although her features were larger than normal, were “evidence” of this prejudice, and she was treated like a freak exhibit in London.
The ‘Hottentot Venus’ She was called the “Hottentot Venus”, ‘Hottentot’ being a name given to people with cattle. They had acquired these cattle by migrating northwards to Angola and returned to South Africa with them, some 2 000 years before the first European settlement at the Cape in 1652. Prior to this, they were indistinguishable from the Bushmen or San, the first inhabitants of South Africa, who had been in the region for around 100 000 years as hunter-gatherers.
Khoisan is used to denote their relationship to the San people. The label Hottentot took on derogatory connotations, and is no longer used. Venus is the Roman goddess of love, a cruel reference to Baartman being an object of admiration and adoration instead of the object of leering and abuse that she became. Baartman objectified.
She spent four years in London, then moved to Paris, where she continued her degrading round of shows and exhibitions. In Paris she attracted the attention of French scientists, in particular Georges Cuvier. No one knows if Dunlop was true to his word and paid Baartman for her “services”, but if he did pay her, it wasn’t sufficient to buy herself out of the life she was living.
Once the Parisians got tired of the Baartman show, she was forced to turn to prostitution. She didn’t last the ravages of a foreign culture and climate, or the further abuse of her body. She died in 1815 at the age of 25. The cause of death was given as “inflammatory and eruptive sickness”, possibly syphilis. Others suggest she was an alcoholic. Whatever the cause, she lived and died thousands of kilometres from home and family, in a hostile city, with no means of getting herself home again.
Cuvier made a plaster cast of her body, then removed her skeleton and, after removing her brain and genitals, pickled them and displayed them in bottles at the Musee de l’Homme in Paris. Some 160 years later they were still on display, but were finally removed from public view in 1974. In 1994, then president Nelson Mandela suggested that her remains be brought home.
Other representations were made, but it took the French government eight years to pass a bill, apparently worded so as to prevent other countries from claiming the return of their stolen treasures, to allow their small piece of “scientific curiosity” to be returned to South Africa.
In January 2002, Sarah Baartman’s remains were finally returned, and remained in Cape Town pending a decision on her final burial place. Marang Setshwaelo, writing for Africana.com, says that Dr Willa Boezak, a Khoisan rights activist, believes that a poem written by Khoisan descendant Diana Ferrus in 1998 played a major role in helping bring Baartman home. Boezak says: “It took the power of a woman, through a simple, loving poem, to move hard politicians into action.”
Whatever the reason, Sarah Baartman is home, and has finally had her dignity restored by being buried where she belongs – far away from where her race and gender were so cruelly exploited.
The Voices Education Project offers tools, philosophies, and learning methods that will help young people understand the roots of conflict and the trauma of war, confront the pain and fear at the heart of conflict, and help to build healthy human communities in the wake of war. We use the arts and education to transform the consciousness of young people, give teachers and students a way to explore the most important and terrifying issues of our day, and create a dialogue in which all voices can be heard, and all points of view included, without engendering fear, hatred, or anger.